Why Malky Won't Read Your Self-Published Book?
Is the blame entirely on indie authors? Or is there a deeper issue at play?
In a recent Medium article, Malky McEwan, an enthusiastic reader, explained her hesitancy towards buying self-published books, sparking a conversation about their price points.
While roaming the aisles of a supermarket, Malky picks up the latest John Grisham paperback and Bob Mortimer's novel. She’s drawn to paperbacks, an old-school way of relishing a story. The twist? Despite her extensive reading range and having self-published books on her wishlist, she hesitates to pick them up, and the predominant deterrent is their price tag.
The Price Point Dilemma
Malky's recent purchases, costing her £9 for two, starkly contrast with a self-published book priced at £16.41 for a single paperback. In today's world, where every penny is precious, Malky, like many readers, wants value for her money. She would rather spend on two well-established authors, a drink, and a snack than gamble on a self-published novel with an inflated price.
But what makes this issue so prominent?
Understanding the Self-Publishing Landscape
Self-publishing is indeed revolutionary. It has empowered countless authors, enabling stories to flow without traditional publishing barriers. Yet, when it comes to pricing, many authors seem off-target. It's not merely about underselling oneself; it's about grasping the market, the competition, and, most significantly, the reader's viewpoint.
Heavyweights like John Grisham, Colleen Hoover, or even celebrity authors like Prince Harry have vast readerships and formidable marketing behind them. A self-published author isn't just up against them but a plethora of other indie authors.
Pricing Strategy: Balancing Profit and Value
Would selling 100 books at a sensible price be more beneficial than one at a high price? Simple arithmetic points towards the former, and here's why:
Volume Over Profit: An affordably priced book can boost sales. More sales equate to broader reach.
Reviews and Social Proof: Greater sales lead to more reviews, acting as a digital word-of-mouth, nudging potential readers.
Building a Loyal Base: A loyal readership is paramount for a self-published author. Affordable, quality books can pave the way for subsequent titles.
Understand Perceived Value: While pricing freedom is a boon, it's essential to gauge the book's value. Does it offer the quality of traditionally published works? Is the length justified by its price?
However, is the blame entirely on indie paperback pricing? Or is there a deeper issue at play?
Print-On-Demand: The Hidden Overheads
For readers like Malky who cherish paperbacks, understanding the intricacies of the POD model for indie authors is crucial. While self-publishing has democratized the literary landscape, it comes with unique challenges:
High Overhead Costs: POD services, while convenient, impose high overheads, making it virtually impossible for authors to set competitive prices. The printing costs for a single book can be steep, forcing authors to either price their books higher or accept minimal profit margins.
Inventory Challenges: An alternative to POD is mass printing, which involves a significant upfront investment. Here, authors might find themselves with boxes of unsold books, translating to lost money and space. Moreover, without the vast distribution networks of big publishers, indie authors often struggle to get their books on physical shelves.
Economics of Scale: Major publishers can leverage scale, printing in vast quantities, and therefore offering books at lower prices. Independent authors lack this advantage, making their pricing journey even more challenging.
The Two Sides of the Coin
While Malky's perspective is relatable for many readers seeking value in their purchases, it's vital to see the other side. For every self-published author, there's a tale of passion, hard work, and often, financial challenges. The reality is that producing a tangible, low-cost book as an indie author is almost a herculean task.
To enjoy that paperback with a glass of plonk and chips, Malky paid a price, but so did the author. Behind every indie book is an author grappling with high production costs, aiming to strike a balance between affordability for readers and viability for themselves.
A Call to Indie Authors
As we conclude, we pose a question to our readers, especially those who are authors:
How do you price your books?
If you're comfortable, comment below with a link to your book as a real-world example. It would be enlightening to understand the thought process and the challenges you've navigated.
Moreover, share this piece with fellow authors. Let's amplify this discussion. It's high time the literary world had an open conversation about the economics of self-publishing.
Your insights, experiences, and feedback can be instrumental in reshaping perceptions and forging a way forward.
In the end, understanding each other – the reader and the author – will make our literary ecosystem richer and more inclusive.
For ebooks, I charge between $1 and $5, depending on size of the book and how long it's been out (with each new release in my series, for example, I may lower the price of an earlier volume). For paperbacks, I try to keep the price between $12 and $15, depending on what KDP tells me I can charge based on printing fees and the like to still earn a royalty per sale.
And because I have plenty of hard copies on-hand (unsold inventory from my convention days), I also offer the chance to buy paperbacks directly from me, for a flat $10 rate (or a bundle price if someone's buying more than one book), that way they get a discount as opposed to buying from Amazon or BN.com.
I gave up on being on physical bookshelves (aside from small, local shops who support local authors) a long time ago, because the manager of my local B&N told me it's corporate policy not to stock POD books on store shelves because there's nowhere to send back unsold inventory.
I am an indie author currently writing book 4 in a 6-book cross-genre series.
(My books have won a handful of awards, including a Publishers Weekly Starred Review and an Indie Book Award, so at least one or two people think the books are worth reading. 😜)
Here are my sales numbers:
I give away book 1 (ebook & audiobook) for free (wide). I sell books 2 and 3 for $3.99 (ebooks & audiobooks, wide). At Amazon, my cost to print the book 1 paperback is $9.44. I sell it for $9.99. (I also sell hardcover editions of all my books via IngramSpark, but I have sold less than 25 hardcover editions in the 7 years since I started publishing. My net on a $29.99 hardback is less than two dollars).
If someone buys all three of my ebooks, I make $5.12. If someone buys all three paperbacks, I make $2.12. If someone buys all three of my audiobooks, I make between $0.12 and $12.36 (average is $0.45 per audiobook, so $1.35).
If I don't advertise, I give away around 10 ebooks per month and sell one or two (at Amazon). If I advertise ($300/month), I give away ~500 ebooks (Amazon) and ~400 audiobooks (via Findaway Voices and ACX), and sell about 10 ebooks and 50 audiobooks. (I also give away and sell books at other websites (B&N, Kobo, Google, iBooks, etc.) but Amazon and Chirp Audiobooks are my best sales channels.) If I had six books (plus audiobooks) published (instead of three), I might break even.
It takes me more than a year to write, edit, and publish a book (and then three to six more months to get the audiobook out). Ignoring my time to write and edit, I spend around $20,000 per book to publish: Professional Editor ($6,000), Copyediting ($2,000), Proofreaders ($2,000), professional audiobook production ($6,000), plus cover art, series cover art, typesetting tools (I use Vellum), book jacket art and layout, and advertising etc. I work hard to make my books to be of the highest possible quality, and I'm lucky enough to have the time and money to aim for that. I regularly read traditionally published books of lower quality (typos, grammar issues, layout, TOC errors, etc.)
My average monthly income is less than $100 right now (yes, sad), so my net is -$200+ per month when I advertise. (I haven't published a book in a couple of years due to life getting in the way of writing. My income jumps up right after I publish a new book to around $500+ per month but tails off quickly). I hope to break even once I have all six books in the series published (and then start working on getting a black swan to kick-start the series sales to find a wider audience.)
In seven years, I have given away more than 100,000 ebooks and sold around 3,000. For Audiobooks the numbers are around 30,000 free and 5,000 paid.
TLDR: Despite writing full time, I lose money almost every month, so it's an expensive hobby (not a way to support myself). But then, I don't write to make money (although it would be nice), I write because I enjoy doing it, and the occasional email from a reader who loves my books makes it all worthwhile.
Favorite quote about writing:
The one thing that all "successful" writers have in common: They refused to give up.*
*This may be harder than you think.
The Between Two Evils book series at Amazon:
https://www.amazon.com/gp/product/B07FK7WGZ4